Search: Starring Djimon Hounsou

Amistad is one of [Spielberg's] deeply felt niche pictures that won't cause ripples on the stock market because of its uncompromising nature.

From the outset, Biker Boyz feels like every sporting film that has been before.

There is a healthy streak of cynicism running through Blood Diamond.

Cap Marvel is another powerful woman hero to add to the line-up.

Constantine is best enjoyed by ignoring the Milton-centric mythology and surrendering to the movie's lush atmosphere and wicked performances.

The film has more violent action than a PG-certificate dares admit to and looks suitably legendary.

The English bits tend to drag dreadfully.

Ridley Scott's 2nd century extravaganza dies during those pauses between blood, sweat and fear.

The performances are generally fine if unremarkable - although it's bizarre that despite Mardenborough’s hometown being in Wales, not a single actor here has a Welsh accent.

Overall, Guardians of the Galaxy is good fun.

There is no tension, no expectation of trouble. Happiness infuses the land

Fast, furious and Calvin Klein-ad slick.

From a technical standpoint, Vaughn and the cinematographer Ben Davies outdo themselves.

Lara has changed. No longer a three-dimensional computer game heroine, with enhanced breasts, she has emerged as the next James Bond.

Has all the ingredients of a fun Friday night out.

The best praise you can heap on Push is that it’s nearly good.

It’s a film which deserves to be watched in a group and enthusiastically heckled, with a bit of popcorn-throwing to add to the fun.

It’s a peculiar thing to see a man who steals so liberally run out of ideas.

What’s missing is a plot.

You'll be entertained, at least a bit, but that might be all of it.

Changing the main character's sex from a man to a woman is the most obvious and radical idea Taymor brings to the table, and it succeeds in deepening several of the piece's key relationships.